Rutger Hauser - The Swim
| Artist: | Rutger Hauser |
| Rating: | |
| Genres: | Experimental Rock, Free Improvisation |
| Released: | 2019 |
| Type: | Album |
| Label: | Tutl Records |
| Link: | Bandcamp |
During the summer of 2018 we travelled to the Faroe Islands to record a second album, which became The Swim sometime later. We lived and worked for a week in a community hall called Sólarmagn, on the coast at Velbastaður looking out towards Hestur and Koltur, the horse and colt, and the Atlantic beyond. That and more (amps, cello and drum kit, studio gear, pillows and bedding) was made possible by the generosity of various individuals and organisations on the islands and by the dedicated organizational work of Klaemint, the band’s Faroese guitarist....
Velbastaður is a bleakly beautiful place, but it was uncharacteristically sunny for most of the week. On Friday night, the sessions complete, the fog came down and we drank and danced enveloped in grey nothing.
The place is in the music - the sound of the big, wood-panelled room, the coast road empty in both directions and the sea outside the window.
The Swim sounds like a group of people working things out together. If we could do without pre-determined form and without conventions of improvised music; if we could not necessarily be drummer, bass player, guitarist, cellist, electronicist, but sometimes just people playing together in different combinations; unspecialised, unsure. It’s mostly first or second takes. When we did things more times, they usually ended up worse.
Sean Woodlock recorded the sessions, helped us to make sense of the music before and after. Back at home, the recordings were mixed in a second week by John Harries, and some overdubs added by Ian Stonehouse. Otherwise, they sound now not much different to how they sounded in the room at Sólarmagn. The vinyl cut was by Noel Summerville, and art and design by John Harries. The album is co-released by Adaadat (UK) and Tutl (Faroes).
released July 1, 2019
Velbastaður is a bleakly beautiful place, but it was uncharacteristically sunny for most of the week. On Friday night, the sessions complete, the fog came down and we drank and danced enveloped in grey nothing.
The place is in the music - the sound of the big, wood-panelled room, the coast road empty in both directions and the sea outside the window.
The Swim sounds like a group of people working things out together. If we could do without pre-determined form and without conventions of improvised music; if we could not necessarily be drummer, bass player, guitarist, cellist, electronicist, but sometimes just people playing together in different combinations; unspecialised, unsure. It’s mostly first or second takes. When we did things more times, they usually ended up worse.
Sean Woodlock recorded the sessions, helped us to make sense of the music before and after. Back at home, the recordings were mixed in a second week by John Harries, and some overdubs added by Ian Stonehouse. Otherwise, they sound now not much different to how they sounded in the room at Sólarmagn. The vinyl cut was by Noel Summerville, and art and design by John Harries. The album is co-released by Adaadat (UK) and Tutl (Faroes).
released July 1, 2019
Editions:
2019
Original Release
Tutl Records
| HJF518
| Digital/Vinyl
| 01. | Maximum Tourist / Fjallavath | (6:23) | |
| 02. | Hestur and Koltur / Hestur og Koltur | (5:09) | |
| 03. | Five Pages in the Lost Ledger / Leiti | (4:16) | |
| 04. | The Swim / Av Brúnni við Streymin | (4:39) | |
| 05. | On the Rotifer Conchilus Volvox / Golmansskor | (5:33) | |
| 06. | Bohnanza Life / Bursatangi | (4:00) | |
| 07. | Catfish Michael / Millum Víkingartoft og Gravarbakka | (4:30) | |
| 08. | Faroes 01 _ Nólsoy, looking North / Rúnarsteinur í Sandavágskirkju | (6:42) |