The purpose of the record is to demonstrate the development of the synthesiser from the first commercially available systems in the late 1960s to the introduction of fully digital systems in the late 1980s...
Although not intended to be a comprehensive history of synthesisers, the listener will hopefully gain some insight into the character of each instrument, and on a more general level experience the evolving sound of synthesis over the years
Each track is the pure sound of an individual instrument, with no additional processing, sequencing or effects applied to any of the recordings. If a system was equipped with an in-built sequencer, it was used, and there are several examples of sound-on-sound processes, where a track is made up of multiple layers of the same synthesiser recorded in parallel
To put it simply, I let the instruments speak for themselves and influence the way each piece is composed.